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{{DISPLAYTITLE:''The Boy in the Iceberg''}}
{{Icons|Fire Nation}}
:''This article is about the play. For other similar uses, see [[The Iceberg (disambiguation)]].''

{{Quote|fire|</i>The Boy in the Iceberg<i> is a new production from acclaimed playwright Pu-on Tim, who scoured the globe gathering information on the Avatar from the icy South Pole to the heart of Ba Sing Se. His sources include singing nomads, pirates, prisoners of war, and a surprisingly knowledgeable merchant of cabbage.|[[Sokka]] reading the promotional poster to [[Team Avatar]].<ref name="EIP">{{Cite episode|1|317}}</ref>}}

[[File:Ember Island Players poster.png|thumb|right|250px|The poster for ''The Boy in the Iceberg'' features caricatures of [[Aang]], [[Sokka]], [[Katara]], [[Zuko]], and its writer, [[Pu-on Tim]].]]

'''''The Boy in the Iceberg''''' is a [[Arts in the World of Avatar#Known plays|play]] created by acclaimed [[Earth Kingdom]] writer [[Pu-on Tim]] and performed by the [[Ember Island Players]]. Carefully researched, the play follows [[Team Avatar]]'s journey in helping [[Avatar]] [[Aang]] master all [[Bending arts|four elements]]. Pu-on Tim's sources include singing nomads, pirates, prisoners of war, and a [[cabbage merchant]].<ref name="dead 317-4">{{Cite nickold|317|4}}</ref>

The play begins with [[Katara]] and [[Sokka]] finding Aang in the iceberg. It progresses to Team Avatar's escapades in the rural Earth Kingdom, [[Northern Water Tribe]], [[Ba Sing Se]], and the [[Invasion of the Fire Nation|assault]] on the [[Fire Nation Capital]]. The play also exhibits [[Fire Nation]] [[Propaganda in the World of Avatar|propaganda]] and ends with the defeat of Aang and Zuko, resulting in the subsequent victory of [[Ozai]] and the Fire Nation.<ref name="EIP" />

== Origins ==
[[File:Cabbage merchant and Pu-on Tim.png|thumb|left|200px|[[Pu-on Tim]] met countless people during his research on [[Team Avatar]], including "a surprisingly knowledgeable [[Cabbage merchant|merchant of cabbage]]" in [[Ba Sing Se]].]]

Awake for days at a time during pre-production, Pu-on Tim, who often described the experience of following the Avatar as a "painful and blurry dream", was almost driven to insanity while writing ''The Boy in the Iceberg''. It was as if he had managed to talk to every person with whom Aang had come into contact, likely over the weeks Tim spent on the road researching leads and tirelessly following Aang. These seven months<ref name="AEEIP">[[Avatar Extras (Book Three: Fire)#.22The Ember Island Players.22|''Avatar Extras'' for "The Ember Island Players"]] on Nicktoons Network.</ref> of information-gathering ultimately accumulated hundreds of scrolls filled with notes about the Avatar.<ref name="dead 317-4" />

Pu-on Tim described the Avatar as "heroic" and his friends as "noble", and he believed that the Avatar was destined to defeat the Fire Lord and end the [[Hundred Year War]],<ref name="MyCabbages">Gyllenhaal, Rebecca (writer); Yang, Jessica (writer), Bonnie, Pang (artist). ''[[Avatar: The Last Airbender: My Cabbages!]]'' (August 27, 2024), Penguin Random House.</ref> despite the play's official ending and the unflattering depiction of Team Avatar.<ref name="EIP" />

Pu-on Tim mentioned "a surprisingly knowledgeable [[Cabbage merchant|merchant of cabbage]]" as one of the main sources of information for his play.<ref name="EIP" /> Thus, the outcome of the play was the result of the playwright relying too heavily on unreliable sources of information, such as Cai, who described Team Avatar as a "villainous group" that brought "nothing but trouble". Pu-on Tim initially expressed skepticism about the Avatar being evil, prompting the merchant to recount his many negative encounters with the team.<ref name="MyCabbages" />

== Play ==
There are three acts separated by two intermissions.

=== Act I ===
[[File:Boy in the Iceberg play.png|thumb|right|200px|[[Katara]] and [[Sokka]]'s discovery of [[Aang]] is the play's first key scene.]]

* Katara and Sokka release Aang from the iceberg and discover he is the Avatar.
* Zuko and Iroh search for the Avatar.
* Aang finds Momo at an [[air temple]].
* Sokka asks Suki, the [[Kyoshi Warriors|Kyoshi Warrior]], if his Kyoshi Warrior dress makes his butt look too big.
* Aang must answer Bumi's riddles if Team Avatar is to leave [[Omashu]].
* Katara steals the [[waterbending scroll]] from pirates.
* Zuko captures Aang, but the mysterious Blue Spirit saves the Avatar.
* Jet wipes out the "nasty town" for Katara.
* A disinterested Team Avatar flies over the [[Great Divide]].
* Sokka says goodbye to Yue as she departs to become the moon.
* The Avatar transforms into [[La#Koizilla|Koizilla]] and defeats the Fire Nation armada.

=== Act II ===
* The Avatar finds an earthbending teacher, Toph, a muscular blind man who sees by releasing a "sonic wave" from his mouth.
* Zuko and Iroh split up after an argument over Zuko's hair.
* Team Avatar, Zuko, and Iroh confront Azula, but she escapes by distracting Zuko.
* The [[Fire Nation drill|drill]] tries to penetrate the walls of Ba Sing Se.
* Jet is [[Brainwashing|hypnotized]] by [[Long Feng]] and attacks Team Avatar, but he is killed by a falling rock.
* Katara admits her romantic feelings for Zuko while imprisoned with him in the [[Crystal Catacombs]].
* Azula challenges Zuko to choose his country or treachery. Zuko chooses his country and pushes Iroh down, yelling that the latter smells and that he hates him for all time.
* Mai and Ty Lee defeat a pair of royal guards. Aang enters the Avatar State, but is shot down by Azula's lightning.

=== Act III ===
[[File:Aang killed.png|thumb|right|200px|[[Aang]] is killed by [[Ozai]], securing total victory for the [[Fire Nation]].]]

* Team Avatar infiltrates the Fire Nation after Aang's recovery.
* Katara becomes the Painted Lady.
* Sokka acquires a [[Sokka's sword|sword]].
* Combustion Man dies.
* The Fire Nation is invaded.
* Zuko joins Team Avatar.
* The Fire Lord plans to use the power from the Comet to fight the Avatar.
* Azula and Zuko battle; Zuko loses.
* Ozai and Aang battle; Ozai defeats Aang.
* Ozai achieves total victory, and the Fire Nation conquers the world.

=== Differences in the plot ===
* Katara used waterbending to break open Aang's iceberg.
* It is Zuko, not Zhao, who captures Aang at Pohuai Stronghold. The Avatar is later saved by the Blue Spirit, a separate character from Zuko.
* Team Avatar did not stop at the Great Divide.
* Zuko split from Iroh in the Earth Kingdom after an argument about his hair.
* Azula escaped Team Avatar, Iroh, and Zuko at [[Tu Zin]] by pretending to see Zuko's honor in the distance.
* During the [[Comet-Enhanced Agni Kai]] between Azula and Zuko, she ends up killing her brother.
* Ozai wins the battle with the Avatar.

== Characters ==
''(All of whom are portrayed by actors)''
* [[Katara]]
* [[Sokka]]
* [[Aang]]
* [[Appa]]
* [[Zuko]]
* [[Iroh|Uncle]]
* [[Momo]]
* [[Bumi (King of Omashu)|Bumi]]
* [[Flopsie]]
* [[Jet]]
* [[Suki]] <small>(non-speaking)</small>
* [[Zuko|The Blue Spirit]]
* [[Yue]]
* [[Toph Beifong|Toph]]
* [[Azula]]
* [[Ty Lee]] <small>(non-speaking)</small>
* [[Mai]] <small>(non-speaking)</small>
* [[Ozai]]
* [[Combustion Man]] {{mo}}
* The [[Painted Lady]] {{mo}}

=== Differences between characters ===
[[File:Actor Zuko.png|thumb|right|200px|[[Zuko]]'s scar is on the wrong side of his face.]]

* Katara is a well-endowed woman who is overly melodramatic. She is constantly preaching about hope.
* Sokka is portrayed as overly fixated on food. However, after Sokka himself gives advice to his actor, the portrayal becomes more similar to Sokka's true comedic nature.
* Aang is played by a female and portrayed as a goofy prankster.
* Zuko's zealous search for the Avatar to restore his honor is referenced as a joke in the play. In the play scene referencing "[[The Chase]]", Azula distracts Zuko and Team Avatar by claiming to see Zuko's honor. When Zuko is defeated in Act III of the play, he screams "honor!"
* In the play, Zuko's scar is on the right side of his face instead of the left. A little boy dressed like Aang said to the real Zuko that "the scar is on the wrong side."
* Uncle Iroh is portrayed as a useless glutton who is fixated on cake instead of tea. He also seems to be less spiritual.
* Toph is portrayed by a buff man who claims that he is blind but can visualize his surroundings by releasing a sonic wave from his mouth.
* In the scene referencing the "[[The Blue Spirit]]", the Blue Spirit saves Aang from Zuko even though The Blue Spirit is Zuko's alter ego. His mask is also overly large and silly. Admiral Zhao, who really captured Aang, was absent from the scene and was replaced by Zuko.
* While Azula is portrayed as demonic and evil, she is neither calculating nor excessively cruel. Her speech is strangely bombastic and she is seen wearing pink clothing with periwinkle blue eyeshadow.
* Ozai is portrayed as a stereotypical villain, displaying over-exaggerated facial features and able to disappear in a puff of smoke. Much like Azula, his manner of speaking is quite bombastic.
* Mai's actor covers her eyes with her bangs and holds her stilettos (short daggers in the play) in her hair instead of her robes.
* Ty Lee's fighting style is overly simplified and more comical than the real Ty Lee's. She is depicted as an overweight ballerina.
* Jet's plan to wipe out [[Gaipan]], which Katara was horrified by and was foiled by Sokka, is portrayed as successful and done to please Katara. Additionally, as opposed to being a calculating freedom fighter driven by revenge, Jet is later depicted as mentally unstable, with his trademark sprig of wheat replaced by a flower, who ends up crushed by a boulder, rather than fatally wounded by Long Feng.
* Momo is a talking "flying rabbit monkey" rather than a [[winged lemur]], and is portrayed by a small hand puppet. Aang's actor voices one line for the puppet: "Hi, everybody. I love you!"

== Reception ==
Critics were negative toward the production, calling it merely "watchable".<ref name="dead 317-4" /> During its short time in the theater, however, this play truly made an impression. Some of the audience members liked it so much that they even dressed up like their favorite characters. It was not uncommon to see several "Prince Zukos" excitedly watching the play. Team Avatar was aghast at how unfaithfully they were portrayed, particularly Aang, who was shocked at the fact that a woman was playing him, and Zuko, who felt that the play portrayed him as "totally stiff and humorless". Toph, however, had a positive opinion on the casting, especially with her character, but did not like the play overall. At the end of the production, they declared it to be horrible, though Sokka commented that the effects were decent.<ref name="EIP" />

Despite less-than-favorable reviews, Pu-on Tim could not have been happier with his unbiased view of the Avatar and his companions, even venturing to call ''The Boy in the Iceberg'' his "masterpiece".<ref name="dead 317-4" />

As a result of the somewhat mixed reception to ''The Boy in the Iceberg'', [[Zongying]], the director of the Ba Sing Se Players, intended to write a revised edition of the play after the Hundred Year War's end. Despite initially claiming that she wanted her play to be more historically accurate than Pu-on Tim's version, Zongying ultimately included even more outlandish elements in her story.<ref name="QfB">{{Cite video game|QfB}}</ref>

== Special effects ==
* In battle scenes, the actors used rolled streams of confetti to represent bending and lightning.
* During a scene in "[[Jet]]", several stagehands carried a blue roll of paper to symbolize the town being flooded.
* During a battle scene with Mai, a stagehand took the blade out of her hand and ran with it across the stage, making it appear as if she had thrown it.
* In the scene of "[[The Drill]]", stage workers use fans to blow dust across the stage to create the effect of the Outer Wall turning to sand as the drill makes its way through.
* In order to replicate the Avatar State, Aang's actress coated her eyelids and fake tattoos with a white glow-in-the-dark substance.
* For Aang's gliding/flying, the actress was suspended by a rope attached to the back of her costume.
* To demonstrate Jet's hypnosis, his actor donned a pair of googly-eyed glasses.
* During the Comet-Enhanced Agni Kai, Azula sent up medium-sized rolls of paper to symbolize Zuko being killed.
* [[Sozin's Comet]] is a red lamp, with a piece of cardboard in the shape of a trail of fire.

== Trivia ==
[[File:The Boy in the Iceberg flyer.png|thumb|right|200px|The flyer that [[Aang]] gave to [[Tenzin]] in his [[Avatar: The Last Airbender: Legacy|book]].]]

* The play is named after the [[The Boy in the Iceberg|first episode]].
* The play's poster is a reference to the cover of the [[The Complete Book 1 Collection|Book One DVD box set]].
* The three acts of the play correspond, respectively, with the three seasons of the show.
* ''The Boy in the Iceberg'' features elements from several different styles of classical theater. The techniques used to create the special effects are reminiscent of ''xiqu'' (Chinese opera) and ''kabuki'' (Japanese classical dance-drama), while the acting and characterizations are based on conventions from pantomime (a type of comedic family-oriented theater unique to Britain and its former colonies) and ''commedia dell'arte'' (Italian improvisational comedy).
* Casting a woman as Aang mirrors a real-world tendency to cast women as young boys in voice acting roles. This trend was noticeably avoided in the ''Avatar'' series.
** The play's casting of a man as Toph was also based on a real-life trend where playwrights had often casted men and young boys in female roles. This was a common trend during the English Renaissance period, especially in plays written by William Shakespeare.
* The Appa costume in the play was based on those worn in Southern Chinese lion dance performances during traditional celebrations, including the Chinese New Year.
* Sokka's theory about the play showing the 'future' was, to some degree, accurate. Zuko did indeed face off against Azula in their [[Comet-Enhanced Agni Kai|Agni Kai for the throne]] and Aang fought Ozai during the passing of [[Sozin's Comet]], albeit both fights had a different outcome.
* Although the singing nomads are included among the testimonies on which the play was based, the production does not include any events related to them, such as the events in "[[The Cave of Two Lovers]]".
* In 124 AG, Aang wrote about the play in a [[Avatar: The Last Airbender: Legacy|book]] that he passed down to his son [[Tenzin]], telling him about the play. The book also contained a flyer announcing the play.<ref name="Legacy-44">''[[Avatar: The Last Airbender: Legacy]]'', page 44.</ref>

== References ==
{{Reflist}}

== See also ==
* [[Arts in the World of Avatar]]

[[de:Der Junge im Eisberg (Theaterstück)]]
[[nl:De Jongen in de IJsberg (toneelstuk)]]
[[pl:Chłopiec z lodowca]]

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